Emilio Moreno & Aarón Zapico – The Melancholic Bach: Music for Viola da braccio and Harpsichord (2020) Hi-Res

Emilio Moreno & Aarón Zapico - The Melancholic Bach: Music for Viola da braccio and Harpsichord (2020) Hi-Res

Artist: Emilio Moreno, Aarón Zapico
Genres: Classical
Release Date: 2020
Label: Glossa
Duration: 52:31
Quality: Hi-Res
Format: FLAC (tracks) 24bit, 88,2 KHz
Filesize: 1011 MB
Official Website: Link

Tracklist:
01. Emilio Moreno & Aarón Zapico – Herr Jesu Christ, dich zu uns wend (After BWV 665a) (03:16)
02. Emilio Moreno & Aarón Zapico – Liebster Jesu, wir sind hier (After BWV 731) (02:26)
03. Emilio Moreno & Aarón Zapico – Trio (After BWV 583) (04:47)
04. Emilio Moreno & Aarón Zapico – O Mensch, bewein’ dein Sünde groß (After BWV 622) (03:33)
05. Emilio Moreno & Aarón Zapico – Komm, Gott Schöpfer, Heiliger Geist (After BWV 631a) (00:42)
06. Emilio Moreno & Aarón Zapico – Sonata in C Minor: I. Adagio-Vivace (After BWV 76) (02:51)
07. Emilio Moreno & Aarón Zapico – Sonata in C Minor: II. Andante (After BWV 582/2) (04:11)
08. Emilio Moreno & Aarón Zapico – Sonata in C Minor: III. Allegro (After 586) (03:27)
09. Emilio Moreno & Aarón Zapico – Allmanda No. 2 for Solo Harpsichord (After BWV 965) (04:12)
10. Emilio Moreno & Aarón Zapico – Sonata in F Major: I. Allegro (After BWV 664) (04:31)
11. Emilio Moreno & Aarón Zapico – Sonata in F Major: II. Adagio-Vivace (After BWV 614) (01:48)
12. Emilio Moreno & Aarón Zapico – Sonata in F Major: III. Allegro (After BWV 676) (04:13)
13. Emilio Moreno & Aarón Zapico – Très vivement for Solo Viola (After BWV 572) (02:10)
14. Emilio Moreno & Aarón Zapico – Exercitium for Solo Viola (After BWV 598) (03:01)
15. Emilio Moreno & Aarón Zapico – Helft mir Gott’s Güte preisen (After BWV 613) (01:55)
16. Emilio Moreno & Aarón Zapico – Ich ruf zu dir (After BWV 639) (01:21)
17. Emilio Moreno & Aarón Zapico – Wenn wir in höchsten Nöten sein (After BWV 641) (01:34)
18. Emilio Moreno & Aarón Zapico – Wer nur den lieben Gott lässt walten (After BWV 691) (02:26)

With The Melancholic Bach, Emilio Moreno delves pensively and wistfully into the realms of the music that Bach might have written for the viola. This new Glossa album is in fact, by turns, a reflective but also an uplifting treat from beginning to end. Moreno, of course, is a violinist as well as a violist: with the former he has been directing his ensembles La Real Cámara and El Concierto Español, whilst with the latter instrument for many years he has been leading the violas of Orchestra of the 18th Century.

Knowing the Johann Sebastian Bach of concertos, sonatas, partitas and of many other pieces Moreno has yearned for there to be parallel repertory from the great master playable on the viola – and it is recorded that Bach himself excelled on the viola and was fully aware of its soloistic potential as well as its gently melancholic timbre (so suitable for those crucial Bachian inner harmonies).

Aside from established obbligato viola pieces Bach’s copious oeuvre did not bear much fruit, so with harpsichordist Aarón Zapico (who has previously accompanied Moreno on Boccherini and Castro albums), Moreno set about creating a representative demonstration of pieces which he could play on a 1751 Sympertus Niggel viola da braccio. For The Melancholic Bach Moreno adapted movements from a range of Bach’s trio sonatas, cantatas and organ chorales, with the viola taking the melody line and the harpsichord the other two parts.

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